Spaceways 4K (1953)

“Quite Possibly Not What You Might Be Expecting”

The next lesser known Hammer film to get the 4K treatment on UHD and Blu-ray from the studio is Terence Fisher’s SPACEWAYS. As David Flint notes on one of the commentary tracks on here, SPACEWAYS is one of those early 1950s pictures that never seemed to be on television in the 1970s and 1980s and was consequently missed by a generation of young Hammer fans keen to see everything from the studio.

As a result, from the title and the poster art, you might imagine SPACEWAYS to be a rollicking science fiction adventure set in space, but it isn’t. In fact, while getting into space forms part of the plot, it’s by no means a large part of it.

The film kicks off with Dr Stephen Mitchell (Howard Duff, best known to 1980s viewers as the villain in soap opera Flamingo Road) and his experiments to establish the first orbiting British satellite. He has also been launching mice into space as a presumed side project but we don’t hear much more about that .

His wife Vanessa (Cecile Chevreau) is having an affair with Mitchell’s colleague Dr Crenshaw (Andrew Osborn) while his other colleague Dr Lisa Frank (Eva Bartok) keeps giving Stephen adoring looks at cocktail parties. In fact the whole first act feels a bit like if Jackie Collins (or Jacqueline Susann) wrote Quatermass but thankfully things take a turn towards a murder mystery when Vanessa and Crenshaw disappear. Has Stephen killed them and put them in the rocket he’s sent up? Or are there other espionage shenanigans going on?

SPACEWAYS is extremely light on the ‘Space’ bit and is far more concerned with being a low budget espionage thriller. It’s nice to see Michael Medwin and Marianne Stone pop up, especially as the leads aren’t exactly electrifying. Considering the film is adapted from a story by the excellent British SF writer Charles Eric Maine it’s all rather disappointingly low-key. Some of the extras contributor on here do state that the film has acquired a somewhat poor reputation over the years and it’s easy to see why.

Hammer’s extras do set about doing their best to correct that, though. We get the UK and US versions of the film, both of which are exactly the same length and there are very few difference. Commentary duties on the UK version are by Sarah Morgan and Heidi Honeycutt while David Flint talks us through the US cut. Neil Sinyard and Melanie Williams have a 32 minute sit down conversation about the careers of Duff and Bartok, while Wayne Kinsey and Ted Bohus take us through an entertaining 20 minutes comparing the UK and US SF output for the 1950s. I especially liked Wayne Kinsey’s comparative table that he draws up for us. 

Tim Lucas and Stephen R Bissette discuss the film (and the Maine source) for a whopping 67 minutes, while Gavin Collinson and Richard Hollis have a sit down discussion about the career of star Alan Wheatley (27 minutes). There’s also the UK censor card, trailer and a still gallery. As usual with these deluxe editions you also get a book with new essays and a slipcase to keep it all in.

Terence Fisher’s SPACEWAYS is out in 4K from Hammer in a limited edition two disc UHD and Blu-ray set on Monday 23rd March 2026  

La Main Du Diable aka The Devil’s Hand (1943)

 

“ A Classic Piece of French Horror Fantasy Cinema”

Eureka are bringing out on Blu-ray French director Maurice Tourneur’s horror fantasy classic, made during the height of the German occupation of France.

At an isolated mountain hotel (which has a ruined abbey next door to it) cut off by an avalanche, the increasingly frustrated guests are surprised by the arrival of one-handed Roland (Pierre Fresnay). His only luggage is a mysterious wooden box wrapped in cloth. He is, apparently, being pursued by a man dressed in black and carrying a coffin, and Roland has a fascinating explanation for all of this.

Roland is, or was, an artist, one whose paintings are so poor his gold-digging girlfriend Irene (Josseline Gaël) plans to leave him. Depressed, the restaurant he finds himself in just happens to be owned by a chef who owns a magic talisman: a severed hand in a box. He says he will sell the talisman to Roland for an absurdly low sum so that the chef's soul may be saved from damnation. Roland eventually agrees and talent, wealth and Irene are suddenly all his. But it’s not long before a little man in a black suit turns up to explain to Roland that while this life may be great for him now, the afterlife most certainly won’t be.

THE DEVIL’S HAND is European horror from a time when there wasn’t an awful lot of it around. In fact ask any horror fan to name something genre from 1943 and they’ll probably say FRANKENSTEIN MEETS THE WOLF MAN. Maurice Tourneur’s film is a far cry from a monster rally, however. Its adult themes and arresting imagery make it feel much more like a feature-length version of the kind of story that might have ben included in Ealing’s classic DEAD OF NIGHT (1945). The acting across the board is perfect for the material, with Fresnay haunted and Pierre Palau as the devil appropriately mischievous while at the same time suggesting an entity of pure malevolence.

Extras on Eureka’s Blu-ray, a 1080p restoration by Gaumont, include an incisive and educational commentary from James Oliver who deals with not just the genre of ‘hand horror’ but contextualises the film within the historical period in which it was made. This is further expanded upon by Samm Deighan’s illuminating 19 minute video essay on French fantasy cinema under the German occupation. Finally there’s a 46 minute documentary on the film that’s been ported over from the French Gaumont release of 2010. The disc also comes with a collector’s booklet featuring new writing on director Maurice Tourneur by Barry Nevin.

Maurice Tourneur’s THE DEVIL’S HAND is out on Blu-ray from Eureka on Monday 16th March 2026

Jitters (2025)

 

        JITTERS, the new horror film from director Marc Zammit, is getting a digital release from Reel2Reel Films. It’s quite a step up in quality from the last film he had his name on (a bit more about that in a minute) and if you’re a fan of modern low budget British B movie horrors you’ll want to give it a look.

Tiffany (Jessica Impiazzi) is found dead at her computer console. Detective Collymore (Fabrizio Santino) is assigned to the case. Meanwhile his colleague Detective Harding (Anto Sharo) is investigating the death of a games developer who has killed himself with a nail-gun onscreen. 

More people are found dead in bizarre circumstances and everything seems to be connected to a new interactive video game called Jitters, in which a clown (Daniel Jordan) gives you riddles to solve with cash prizes promised if you win, and dire consequences if you lose. When Collymore gets embroiled in the game he finds that not just his but family’s lives are at stake from an unstoppable AI creation that can cause you to die from your greatest fear.

JITTERS is low budget, feels home-made, and some of the acting leaves a bit to be desired. However it tells its story well, the pacing is excellent and in many ways it's reminiscent of old-fashioned British B movies of the 1950s and 1960s that weren’t necessarily filled with great talent but which were nevertheless very entertaining to watch. Director Marc Zammit’s most recent credit prior to this was WITCH which I reviewed here and JITTERS represents a big step up in terms of both storytelling and general film-making skill, so much so that given sufficient resources Zammit could quite easily be making something for Blumhouse as his next project. 

It’s by no means a classic and there are some occasional bits that may raise an inappropriate smile (every policeman involved with the case has a beard including the boss, while a man who has just gouged out his own eyes behaves more as if he’s just got a bit of indigestion) but if you fancy some late night low budget horror entertainment JITTERS really is pretty decent stuff. Here’s a trailer:

Marc Zammit’s JITTERS is out on Digital on Monday 16th March 2026 from Reel2Reel Films

Negatives (1968)

 

The BFI are releasing director Peter Medak’s fascinating first feature film, which also marked an early feature appearance by Glenda Jackson, on Blu-ray in the UK.

Theo (Peter McEnery) runs an antique shop in the absence of his father (Maurice Denham) who is ill in hospital. Theo and his partner Vivien (Jackson) indulge in somewhat peculiar sexual role-play that, while they have all the items in the shop at their disposal, seems to recurringly centre around infamous murderer Dr Crippen and his lover.

Into this mix comes photographer Reingard (Diane Cilento) who observes them for a while from afar before renting an upstairs room at their house. She begins to have an effect on Theo, transforming him into the equally notorious ‘Red’ Baron Von Richtoven. When Theo spots an ancient biplane about to be destroyed at a local wrecking yard he brings it home and it signals a major change for all involved.

A study of a young man’s descent into a catatonic fantasy world is certainly one way you can read NEGATIVES, a film that belongs to the ‘Eccentric British Goings On Behind Closed Doors’ genre which could also the sheer exuberant lunacy of MUMSY, NANNY, SONNY AND GIRLY (1969) and even SIR HENRY AT RAWLINSON END (1980). The characters scream at each other sufficiently that John Waters is most likely a fan and it’s very much one of those films where you can’t quite see where it’s going until you get there.

The BFI’s Blu-ray has a commentary track by Tim Lucas which is up to his usual excellent standard. A third audio track boasts audio interviews with director Medak conducted by the late Lee Gambin and David Gregory and which impressively almost takes up the entirety of the running time, lasting just shy of 90 minutes. Other extras include a McEnery interview (11 minutes), as well as interviews with Medak (16 minutes) and editor Barrie Vince (31 minutes). You also get Dr Clare Smith talking about the actual Crippen case for 24 minutes which provides some fascinating extra context. Finally, the set comes with a booklet with a lengthy analytical essay by Josephine Botting about the film and a piece on the director by William Fowler.

Peter Medak’s NEGATIVES is out on Blu-ray from the BFI on Monday 16th March 2026

28 Years Later: The Bone Temple (2026)

“Essential for Horror Fans”

Following its release in UK cinemas in January, Nia DaCosta’s direct sequel to Danny Boyle’s 28 YEARS LATER (2025) is now out on digital from Sony. When DaCosta was initially announced as director concerns were expressed in some quarters that she might not be able to successful follow Boyle’s combination of horror and satire tinged with outright comedy. However it’s a delight to report that, if anything, THE BONE TEMPLE contains even more extreme horrors than its predecessor while skimping not a jot on the heavy dose of satire in returning screenwriter Alex Garland’s script.

Starting pretty much immediately where the previous film left off, we join young Spike (Alfie Williams) having been rescued by the ‘Cult of Jimmy’ and about to fight for his place among the followers of the group's cruel and (literally as we find out later) psychotic leader ‘Sir Jimmy Crystal’ (a mesmerisingly disturbing performance by Jack O’Connell). 

Meanwhile Dr Ian Kelson (Ralph Fiennes) the builder of the bone temple, is making inroads, DAY OF THE DEAD-style, into communicating with the infected, specifically a large brutal individual called Samson (Chi Lewis-Parry) who he is able to control with large doses of morphine. But the world of the doctor and the world of Jimmy Crystal are about to meet, resulting in a climax in which not everyone will make it out alive.

Nia DaCosta’s 28 YEARS LATER: THE BONE TEMPLE is for everyone who thought Danny Boyle’s 28 YEARS LATER was way too lighthearted, coming across as it does like an extra grim episode of Terry Nation’s frequently exceedingly grim 1970s TV series Survivors. The emphasis here is on the insanity of many of the uninfected human characters, and it fully justifies the 18 rating it has been given by the BBFC with some wincingly effective torture scenes.

DaCosta also manages a few really stylish touches that show her effective CANDYMAN (2021) was no fluke. The sound editing deserves a shout out, too. Watch this with a good surround sound system and you’ll be convinced zombies are creeping up behind you. An essential film for fans of modern horror and an excellent entry in what is shaping up to be the best satirical horror film series of the 2020s. Excellent stuff.

Nia DaCosta’s 28 YEARS LATER: THE BONE TEMPLE is out to rent or buy on digital platforms from Sony now

Silent Night, Deadly Night (2025)

Following its UK cinema Christmas release last year, Mike P Nelson’s grindhouse slasher movie remake par excellence is now getting a Blu-ray, DVD and digital download release through Studio Canal.

This new version of the 1984 original keeps the best elements (child traumatised by seeing his parents killed by 'Santa' grows up to become lunatic slasher wearing the same festive outfit) but adds a lot more to the mix, including why the killer is creating his own advent calendar of death, a subplot about children being abducted, and a romance with a girl into true crime documentaries. 

Where SILENT NIGHT DEADLY NIGHT really scores big, though, is that here there's none of the irony, smugness or post-modernism of so many of those tiresome pseudo 1980s slasher tributes, the ones so keen to keep nudging you that 'this is just like the 80s, right?'. Instead here everything is played straight, which also helps to make an outrageous sequence in the middle (that appears so gob-smackingly out of left field) a thing of near genius. There are some in-jokes but they are subtle and more to be nodded at by those in the know, although fans of SILENT NIGHT DEADLY NIGHT PART 2 will most likely cheer at the mention of ‘Garbage Day!’.

Considering how many extra elements are added, including the reason the lead character has been going on a killing spree every Christmas for the last ten years, it would be easy for SILENT NIGHT, DEADLY NIGHT, to collapse under the weight of too many absurdities. Full marks, then, to Nelson and his talented and likeable cast who get the balance just right. Likely to become an annual seasonal watch for horror fans, this is how you do a modern slasher picture. Studio Canal’s Blu-ray comes with an eleven minute making of that includes interviews with Nelson, the producers (who also produced the original) and the lead players.

Mike P Nelson’s SILENT NIGHT, DEADLY NIGHT is out on Blu-ray, DVD and Digital Download from Studio Canal on Monday 2nd March 2026

Else (2025)

“French Arthouse Melding of Lovecraft and TETSUO Creates Something Beautiful”

You won’t have seen anything quite like ELSE, the debut feature from director and co-writer Thibault Emin which is getting a digital release from Blue Finch. Set almost entirely within the apartment of Anx (Matthieu Sampeur) the film begins with the aftermath of what he believes to be a one night stand with Cass (Edith Proust). There’s some knockabout romantic interaction and the whole thing is played very lightly, with the production design of Anx’s flat so bright and garish it could almost be mistaken for the playroom of a local kindergarten.

Cass leaves and over the next few days we stay with Ax as he begins to learn of a new disease which is sweeping the country. The symptoms? People seem to be turning to stone and, in some cases, even merging with the concrete of their surroundings. Things soon reach epidemic proportions and the government initiates lockdown. Reunited with Cass the two hole up in Anx’s flat, occasionally interacting with other neighbours by voice only down the laundry chute. Meanwhile the building as a whole begins to change, and it becomes apparent that once things have settled down the world is going to be a very different place.

        Mixing body horror with cosmic horror, one of the many interesting aspects of ELSE is that as our protagonists mutate and meld with their surroundings, so the film changes too. Beginning as a romcom, by the halfway mark the film is more akin to a grim black and white eastern European art house project, while by the end the human characters, and the world they now inhabit, have become nameless things of ethereal beauty. 

ELSE is not a fast paced film but it is one full of imagery that will stay with you. Just be prepared to go with the broad swings from French comedy to Cronenbergian horror to otherworldly serenity and you’ll find yourself enjoying a unique cinematic experience. And don't worry, the title does get explained. Here's the trailer:

Thibault Emin’s ELSE is out on digital from Blue Finch on Monday 2nd March 2026