La Main Du Diable aka The Devil’s Hand (1943)

 

“ A Classic Piece of French Horror Fantasy Cinema”

Eureka are bringing out on Blu-ray French director Maurice Tourneur’s horror fantasy classic, made during the height of the German occupation of France.

At an isolated mountain hotel (which has a ruined abbey next door to it) cut off by an avalanche, the increasingly frustrated guests are surprised by the arrival of one-handed Roland (Pierre Fresnay). His only luggage is a mysterious wooden box wrapped in cloth. He is, apparently, being pursued by a man dressed in black and carrying a coffin, and Roland has a fascinating explanation for all of this.

Roland is, or was, an artist, one whose paintings are so poor his gold-digging girlfriend Irene (Josseline Gaël) plans to leave him. Depressed, the restaurant he finds himself in just happens to be owned by a chef who owns a magic talisman: a severed hand in a box. He says he will sell the talisman to Roland for an absurdly low sum so that the chef's soul may be saved from damnation. Roland eventually agrees and talent, wealth and Irene are suddenly all his. But it’s not long before a little man in a black suit turns up to explain to Roland that while this life may be great for him now, the afterlife most certainly won’t be.

THE DEVIL’S HAND is European horror from a time when there wasn’t an awful lot of it around. In fact ask any horror fan to name something genre from 1943 and they’ll probably say FRANKENSTEIN MEETS THE WOLF MAN. Maurice Tourneur’s film is a far cry from a monster rally, however. Its adult themes and arresting imagery make it feel much more like a feature-length version of the kind of story that might have ben included in Ealing’s classic DEAD OF NIGHT (1945). The acting across the board is perfect for the material, with Fresnay haunted and Pierre Palau as the devil appropriately mischievous while at the same time suggesting an entity of pure malevolence.

Extras on Eureka’s Blu-ray, a 1080p restoration by Gaumont, include an incisive and educational commentary from James Oliver who deals with not just the genre of ‘hand horror’ but contextualises the film within the historical period in which it was made. This is further expanded upon by Samm Deighan’s illuminating 19 minute video essay on French fantasy cinema under the German occupation. Finally there’s a 46 minute documentary on the film that’s been ported over from the French Gaumont release of 2010. The disc also comes with a collector’s booklet featuring new writing on director Maurice Tourneur by Barry Nevin.

Maurice Tourneur’s THE DEVIL’S HAND is out on Blu-ray from Eureka on Monday 16th March 2026

Jitters (2025)

 

        JITTERS, the new horror film from director Marc Zammit, is getting a digital release from Reel2Reel Films. It’s quite a step up in quality from the last film he had his name on (a bit more about that in a minute) and if you’re a fan of modern low budget British B movie horrors you’ll want to give it a look.

Tiffany (Jessica Impiazzi) is found dead at her computer console. Detective Collymore (Fabrizio Santino) is assigned to the case. Meanwhile his colleague Detective Harding (Anto Sharo) is investigating the death of a games developer who has killed himself with a nail-gun onscreen. 

More people are found dead in bizarre circumstances and everything seems to be connected to a new interactive video game called Jitters, in which a clown (Daniel Jordan) gives you riddles to solve with cash prizes promised if you win, and dire consequences if you lose. When Collymore gets embroiled in the game he finds that not just his but family’s lives are at stake from an unstoppable AI creation that can cause you to die from your greatest fear.

JITTERS is low budget, feels home-made, and some of the acting leaves a bit to be desired. However it tells its story well, the pacing is excellent and in many ways it's reminiscent of old-fashioned British B movies of the 1950s and 1960s that weren’t necessarily filled with great talent but which were nevertheless very entertaining to watch. Director Marc Zammit’s most recent credit prior to this was WITCH which I reviewed here and JITTERS represents a big step up in terms of both storytelling and general film-making skill, so much so that given sufficient resources Zammit could quite easily be making something for Blumhouse as his next project. 

It’s by no means a classic and there are some occasional bits that may raise an inappropriate smile (every policeman involved with the case has a beard including the boss, while a man who has just gouged out his own eyes behaves more as if he’s just got a bit of indigestion) but if you fancy some late night low budget horror entertainment JITTERS really is pretty decent stuff. Here’s a trailer:

Marc Zammit’s JITTERS is out on Digital on Monday 16th March 2026 from Reel2Reel Films

Negatives (1968)

 

The BFI are releasing director Peter Medak’s fascinating first feature film, which also marked an early feature appearance by Glenda Jackson, on Blu-ray in the UK.

Theo (Peter McEnery) runs an antique shop in the absence of his father (Maurice Denham) who is ill in hospital. Theo and his partner Vivien (Jackson) indulge in somewhat peculiar sexual role-play that, while they have all the items in the shop at their disposal, seems to recurringly centre around infamous murderer Dr Crippen and his lover.

Into this mix comes photographer Reingard (Diane Cilento) who observes them for a while from afar before renting an upstairs room at their house. She begins to have an effect on Theo, transforming him into the equally notorious ‘Red’ Baron Von Richtoven. When Theo spots an ancient biplane about to be destroyed at a local wrecking yard he brings it home and it signals a major change for all involved.

A study of a young man’s descent into a catatonic fantasy world is certainly one way you can read NEGATIVES, a film that belongs to the ‘Eccentric British Goings On Behind Closed Doors’ genre which could also the sheer exuberant lunacy of MUMSY, NANNY, SONNY AND GIRLY (1969) and even SIR HENRY AT RAWLINSON END (1980). The characters scream at each other sufficiently that John Waters is most likely a fan and it’s very much one of those films where you can’t quite see where it’s going until you get there.

The BFI’s Blu-ray has a commentary track by Tim Lucas which is up to his usual excellent standard. A third audio track boasts audio interviews with director Medak conducted by the late Lee Gambin and David Gregory and which impressively almost takes up the entirety of the running time, lasting just shy of 90 minutes. Other extras include a McEnery interview (11 minutes), as well as interviews with Medak (16 minutes) and editor Barrie Vince (31 minutes). You also get Dr Clare Smith talking about the actual Crippen case for 24 minutes which provides some fascinating extra context. Finally, the set comes with a booklet with a lengthy analytical essay by Josephine Botting about the film and a piece on the director by William Fowler.

Peter Medak’s NEGATIVES is out on Blu-ray from the BFI on Monday 16th March 2026

28 Years Later: The Bone Temple (2026)

“Essential for Horror Fans”

Following its release in UK cinemas in January, Nia DaCosta’s direct sequel to Danny Boyle’s 28 YEARS LATER (2025) is now out on digital from Sony. When DaCosta was initially announced as director concerns were expressed in some quarters that she might not be able to successful follow Boyle’s combination of horror and satire tinged with outright comedy. However it’s a delight to report that, if anything, THE BONE TEMPLE contains even more extreme horrors than its predecessor while skimping not a jot on the heavy dose of satire in returning screenwriter Alex Garland’s script.

Starting pretty much immediately where the previous film left off, we join young Spike (Alfie Williams) having been rescued by the ‘Cult of Jimmy’ and about to fight for his place among the followers of the group's cruel and (literally as we find out later) psychotic leader ‘Sir Jimmy Crystal’ (a mesmerisingly disturbing performance by Jack O’Connell). 

Meanwhile Dr Ian Kelson (Ralph Fiennes) the builder of the bone temple, is making inroads, DAY OF THE DEAD-style, into communicating with the infected, specifically a large brutal individual called Samson (Chi Lewis-Parry) who he is able to control with large doses of morphine. But the world of the doctor and the world of Jimmy Crystal are about to meet, resulting in a climax in which not everyone will make it out alive.

Nia DaCosta’s 28 YEARS LATER: THE BONE TEMPLE is for everyone who thought Danny Boyle’s 28 YEARS LATER was way too lighthearted, coming across as it does like an extra grim episode of Terry Nation’s frequently exceedingly grim 1970s TV series Survivors. The emphasis here is on the insanity of many of the uninfected human characters, and it fully justifies the 18 rating it has been given by the BBFC with some wincingly effective torture scenes.

DaCosta also manages a few really stylish touches that show her effective CANDYMAN (2021) was no fluke. The sound editing deserves a shout out, too. Watch this with a good surround sound system and you’ll be convinced zombies are creeping up behind you. An essential film for fans of modern horror and an excellent entry in what is shaping up to be the best satirical horror film series of the 2020s. Excellent stuff.

Nia DaCosta’s 28 YEARS LATER: THE BONE TEMPLE is out to rent or buy on digital platforms from Sony now