Nothing brings quite the same kind of joy to Probert
Towers as the chance to view some ultra-obscure Eurotrash.
I had wanted to watch THE MURDER CLINIC (known as LA LAMA NEL CORPO in its
native Italy) ever since, at the tender age of nine, seeing a still of the
hideously disfigured woman who features prominently in the film’s plot in Denis
Gifford’s A Pictorial History of Horror Movies, a volume that also encouraged the
young JLP to track down such genre gems as HORROR OF MALFORMED MEN, Richard
Gordon’s THE PROJECTED MAN and that version of THE BLACK CAT by Harold Hoffman
where the girl gets an axe in her head.
But back to
THE MURDER CLINIC. After a title sequence which exhibits a considerable degree
of creativity in terms of changing Italian names to presumably more exportable
English ones, we get an opening caption which tells us it’s “About 1870” and
that we’re in Norfolk. The mountainous forest-filled countryside and Italianate
architecture on display are less suggestive of Norwich
and its environs and more of a country considerably further south (and a bit east as
well) and fans of this kind of thing wouldn’t have it any other way. There’s a
hooded and cloaked figure stalking the corridors of an isolated asylum and
bumping off attractive young ladies with a razor. Mary the pretty nurse starts
working there, enabling her to meet some of the inmates that only exist in
Italian horror films, including an old lady whose best friend is her stuffed cat and a young man called Fred who has violent tendencies and should have
been played by Klaus Kinski but sadly isn’t. There’s someone clumping around on
the third floor as well but we won’t get to see her scarred face for a little
while yet. The place is run by Dr Robert Vance (William Berger) who spends a
lot of time in his laboratory where we can be sure that his animal experiments
on skin grafting aren’t just for the benefit of guinea pigs who may have been
in nasty accidents involving scorchingly hot objects.
Into all of this comes
Giselle, who we already know is up to no good as we’ve seen her bop the chap
whose job it is to ‘escort’ her out of the country over the head and take
flight to a local cave, only to spy Dr Vance burying the pretty young thing our
cowled figure slashed up just after the opening credits. Soon she’s
attempting to blackmail Dr Vance, which as we all know is a Very Bad Thing to attempt in
this sort of a movie and before you can say Blackmailing A Man Who Has Access to Anaesthetics, Scalpels and Electro-Shock Therapy is Probably A Bit Foolhardy the razor is being wielded again.
It soon
becomes apparent that while the trappings are gothic and the style is giallo,
screenwriters Ernesto Gastaldi (who ended up writing more of these things than he could probably ever remember) and Luciano Martino (Sergio’s brother) have also decided to
mix in a goodly dollop of Eyes Without a Face as well. The mysterious figure is
Dr Vance’s sister-in-law Laura, whom he managed to have a naughty dalliance
with before he caused her to fall into a lime pit (or so he believes) while ironically she was wearing a lemon-coloured dress. Now he
spends his days grafting guinea pigs and keeping his fingers crossed that his
housekeeper Harriet White Medin (Italy’s Sheila Keith) won’t tell people why he
spends so much time shaving them. It all ends in the traditional Italian
Eurotrash way, with a totally bonkers twist ending where it turns out quite a
bit wasn’t what it seemed (including the flashback detailing the Laura-in-lime
tragedy) and with nearly everyone dead by the time we get to the fadeout to
Francesco de Masi’s main theme.
As a
mid-sixties Italian gothic THE MURDER CLINIC is not at all bad. There are some
touches of style and the faceless killer feels quite Bava-inspired. Sadly, the
print we saw was terribly washed out so it’s difficult to comment on how the
film was intended to look. A decent DVD release would be very welcome indeed.
It is a great movie and one that had great part in fucking me up as a child.
ReplyDeleteGood to hear someone else has heard of it!
ReplyDeleteI absolutely love THE MURDER CLINIC, particularly the music score, which is still available on CD. The old title sequence was bizarre but helped set up the atmosphere, watching it at 1:00 am on good ol' WWOR out of New York around 1980. Ah, those were the days.
ReplyDeleteI remain surprised that it still, as of 2015, hasn't had some sort of decent release on DVD or Blu-ray, but if it has, I'm not aware of it!
ReplyDeleteIt has had a release. However it is pan & scan and probably from a TV print as it does have the anglicized credits I remember. It Is available as part of a "Six-Pack" (Vol. 2) from Code Red's Big Cartel site. You have to order directly from them. The guy said he could not get his hands on a widescreen copy. It does look better than I ever saw it before. I did see a widescreen, uncut copy once but it was so faded-looking I cut it off after about 10 minutes. Just too hard to watch. So far, Code Red's copy is about as good as I've seen. I don't know if it's even available in Italy. Seems to have fallen through the cracks. Of course no official release of HORRIBLE DR. HICHCOCK or THE GHOST either, which I find very surprising. Oh, and I had the Dennis Gifford book too - still do, a little worse for wear. I set out to see every film that the photos in his book showed, with varying degrees of luck.
ReplyDeleteI probably have that widescreen version that's almost impossible to watch. There's a beautiful French DVD of DR HICHCOCK but with no English track or subtitles. I bought it anyway!
ReplyDeleteYeah, even reading/hearing the dialogue of DR. HICHCOCK will not increase your understanding of it - so you might as well sit back and enjoy the beautiful pictures.
ReplyDeleteFilm Art released it on Blu ray in Germany.
ReplyDeleteFilm Art released it on Blu ray in Germany.
ReplyDeleteThank you!
ReplyDelete