Sometimes you wonder about the intentions of filmmakers.
Usually it’s easy, and you don’t have to be many minutes into a film to realise
that the object is for it to entertain, to move, to uplift, to educate or
occasionally (God forbid) to preach.
But then there are other films, films whose reason for
existing we can only guess at. Films probably produced to cater to only the
most desperate, rather than the most discerning, of exploitation audiences. But
these films, whilst delivering the goods in terms of sex, violence, blood and
deviant behaviour, provide them in such an obverse manner that you do wonder
what on earth was going on in the minds of those responsible, before realising
that you probably wouldn’t like to meet them.
THE REINCARNATION OF ISABEL (which goes
by the title BLACK MAGIC RITES on Redemption’s
Region 2 DVD) was made in Italy
in 1973 and is meant to be a horror film. I say meant to be because having sat
through it this bizarre effort here in the Eurotrash Screening Room at the House of Mortal Cinema, and
having given the entire endeavour some serious thought, I still can’t work out what
it’s meant to be about, despite the fact that one of the characters spends a
good ten minutes totally unsuccessfully explaining the plot at the end. What I
can say is that it’s set in a castle, that there’s an awful lot of female
nudity, some very poor satanic rituals executed by men in red baby romper
suits, and that some of the fashions were probably designed by blind people who
had been cruelly lied to about the materials with which they had been provided.
Other than that nothing’s very clear I’m afraid. I think the back story is
about a witch named Isabel who is put to death for vampirism in the fourteenth
century. Her husband thus becomes Dracula, the ‘first vampire ever’ (see – two
sentences in and this doesn’t make sense). Despite being staked graphically
between the breasts and burned alive Isabel takes ages to die in an
interminable sequence that in any other film would generate suspense / allow
the witch to curse everyone / show her horrible death, but because this film is
this film nothing of interest happens at all.
At a Big
Old Castle
there’s an engagement party going on for the girl who is the image of our
witch. We’re told that this is ‘500 years later’ so we should be in the
nineteenth century but it looks suspiciously like 1972. We are also told
several times that Isabel will be reincarnated on the coming of the 25th
moon, although from when is anyone’s guess, and seeing as it seems to only take
two and a bit years for her to come back why they’ve waited until 1972 is also
a mystery. Girls (and there are lots in this castle) start to disappear and end
up naked and dead. This goes on for a bit to justify the movie and then
suddenly, at about the hour mark, everything suddenly becomes another film,
with the male members of the cast attacking women we’ve never seen before in
what look like a succession of hotel rooms. Just when we think the budget for
filming at the castle must have run out two naked girls run back to the castle
pursued by villagers in a sequence in which day becomes night and then turns
back to day again every time the camera cuts from them to the castle. Anyone
still with the film at this point then gets treated to the ‘virgin sacrifices’
which are so trippy anyone watching them on a big screen would have needed
years of therapy and lot of antipsychotic medication to enable them to cope
with reality again. A man with an enormous moustache and sideboards who has
been lurking throughout the film with his Donald Pleasance look-alike
hunchbacked friend does the aforementioned completely unintelligible
explanation and our heroine is saved when she stabs the villain. Having read
other reviews of this I think that more than does justice to the plot and I
really do wonder what Mr Renato Polselli was on when he made this, even though
it couldn’t have been half as mind-bendingly disorientating as the people who
gave him the money to make it.
Yes but...Naked Girls Lord P!
ReplyDeletegcw.x
People always complain about movies not making sense. Sometimes I am shocked when I am reading reviews on the IMDB trashing some movie without any cause because they were seemingly unable to pay attention for two lousy minutes. Or are really that dumb.
ReplyDeleteStill, you are correct. ISABEL doesn´t makes sense. There are Paul Naschy movies out there which let this one look bad, and that is saying much. People tend to make fun about the laughable lame "satanic orgy-scene" in Hammer´s The Devil Rides Out - well, I do :-) - but after I saw this I had a better opinion of it. This wasn´t so far removed from Plan 9 ineptitude.
Well as with all the films I write about on here I definitely enjoyed it, but it's a weird kind of love I feel for some of the stranger ones!
ReplyDelete