Does the giallo as we all know and love it have a place in
21st century horror? Well that all depends. Last year Spain
offered us the thoroughly enjoyable, stylish and barking mad thriller JULIA'S
EYES (which is reviewed on this very site). A few years prior to that Italy and
Spain got together to produce EYES OF CRYSTAL, a police procedural that could
be considered a serious giallo (complicated plotting, obscure clues, creatively
bizarre murders) without all the daft (but fun) elements of its 1970s
precursors (outrageous fashions, terrible wallpaper, J&B, excessive
scantily clad pulchritude). Oh yes, EYES OF CRYSTAL (or OCCHI DI CRISTALLO to
give it the original Italian title) is definitely a giallo for the 21st century,
a sleeker, more polished, more distilled version, if you will, of its
predecessors.
There's a
mad taxidermist roaming the streets of an unnamed Italian city, busy
reconstituting the doll he keeps having flashbacks to from his youth (along
with burning nuns and other Italian standbys) from human body parts. His murder
victims are left with the parts he has removed replaced with mannikin limbs
and, more often than not, with Latin phrases written in blood on the wall close
by. Luigi Lo Cascio is the Young Cop Who Doesn't Live By The Rules (he shoots a
rapist in the knee in the film's opening sequence after they have caught him
just to show he's a bit unstable) assigned to investigate the murders and work
out why people are turning up on the beach minus their legs. Senior policeman
Simon Andreu (star of THE BLOOD SPATTERED BRIDE and providing a nice link with
the EuroHorror of old) gets admitted to hospital where he lies slowly dying of
a brain tumour and seeing visions of him and the killer together when they were
boys at the orphanage where they grew up but unfortunately he can't remember
the chap’s name until it’s just too late. Lucia Jimenez is on hand as the
gorgeous girl who needs Lo Cascio's protection but ends up tied to a rickety
old bed in her skimpies as the killer dangles his knife over her. It all
reaches a climax at the big scary orphanage overlooking the cliffs near the sea
where the killer's identity is revealed, as is his whacked out reason for what
he's been doing with all the body parts.
Extremely
stylishly shot, EYES OF CRYSTAL often manages to out-Dario Mr Argento with some
of its delicious visual set-ups, and there are so many the movie is worth
watching at least twice just to appreciate some of the more subtle visual
treats and framing on offer here. A glass eye factory and a climax that relies
partly on a homage to a certain Mario Bava film that will have all his fans
nodding in appreciation, this really is very good indeed. Director Eros
Puglielli seems to have worked solely in Italian television since making this
which is a shame, as his eyes would be better employed constructing more
stylish visual feasts of giallo for a modern generation.
Saw this at the DEAD BY DAWN festival in Edinburgh a few years back, with an appreciative audience. Big, bloody, crazy, stylish and definitely something for Giallo fans to pick up. Shame more people couldn't see it on the big screen, where it belongs. Surprised not to hear anything more about it or the director since.
ReplyDeleteThanks for that. With some of these films it's good to know someone else out there has seen them as well!
ReplyDeleteYeah, seems like the director went back to directing Italian TV shows.
ReplyDeletePerhaps a more stable job. Too bad.